Guided by specificity of narrative that deals with identity construction or community structures, I crochet continuous strands of fiberglass into large geometric shapes. These are formed and hardened with the application of polyester resin. Color is added to the resin prior to its application. The work engages math, an underlying principle in all of life, as a structural foundation by utilizing the grid, prime numbers, Chaos Theory, the Fibonacci sequence, and Pi.

The process of crochet and the construction of identity both involve human history, traditions, groups, constructs, patterns, interactions, influences, biases, memory, and layering and passing of time. All cultures seem to have their own lace tradition. If identity is a hybrid of our heritage, then lace is, as tradition of time, labor, and creativity, one tiny point of intersection that connects us all.

In summary, I make wall-based, indoor, translucent, durable, monumental lace that combines the past, the present, and multiple disciplines. A product of time-based manual labor that has been contemporized by the use of the industrial materials of fiberglass and polyester resin, mathematics, and the language of art and architecture.